Awelye Ena-nakamarra-gibson-tag Jorna’s paintings often focused on

Jorna’s paintings often focused on sacred sites and on the animals and plants commonly found in the country surrounding her community

commonly known as Desert Fuchsia

I walked out from the desert with my husband when I was a young girl

“Dreamworks”

The circles in the work show the water holes made by this dreaming and the lines are representing sandhills near Kiwirrkura

Awelye Ena-nakamarra-gibson-tag Jorna’s paintings often focused onGalyas work is distinctive and highly individual. Her early paintings, dating from around 2004, drew on Portulaca oleraceaknown as munyerooa grass once abundant in the Utopia region and an important food source for generations. Its tiny black seed became central to her imagery, with Galya adopting its half circle form as a dominant motif in her paintings. Over fifty years of cattle grazing greatly reduced the abundance of this grass. In her paintings,