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[8] [32] Prejo interpreted the film to be the "director's depiction of this authoritarian regime where even cinema, as an artistic form of expression, is suppressed and restrained." [32] Similarly, Gautaman Bhaskaran stated, "Kashyap must have realized that open confrontation with the authorities does not quite pay, so he plays around with words and actions." [19] Saloni Gajjar interpreted the film as a "journey through hell and back, one in which Kashyap has to fight against a system that controls his output and tries to define what the general public should and shouldnt consume," [8] a system which, according to Amborish Roychoudhury, also included presswho had labelled Kashyap a jinxed directorand people who didn't want to work with him

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